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The Messiah of Cadoxton

Susan Pedersen

‘The script of script production rather followed the script of sex: it was intimate, exciting, boundary-crossing, and left the participants changed.’

Susan Pedersen on paranormal love in the Balfour family.

A Journey to Ayodhya

Snigdha Poonam

‘Ask anyone in Ayodhya, and they will say the city’s Hindu–Muslim harmony can withstand any test.’

Snigdha Poonam on the construction of a Hindu temple on the ruins of a mosque in Utter Pradesh.

Literature Without Literature

Christian Lorentzen

‘Corporate publishing is the channel through which literature happens to flow at this moment in history.’

Christian Lorentzen dissects the literary establishment.

Gold Fever in the Coup Belt: The Mines of Mauritania

James Pogue

‘The whole arc of the failed promise of development became legible in the traces of the gold rush.’

James Pogue reports from the gold mines of Mauritania.

The Pneuma Illusion

Mary Gaitskill

‘The intensity of it seemed in retrospect something inexplicable, like a sudden opening in the sky with an outpouring of visions.’

Mary Gaitskill on her experiences with Pneuma therapy.

Dispatch from Kyiv

Yevgenia Belorusets

‘Against the backdrop of the Russian onslaught, all everyday concerns, the facts and things that make everyday life, literally life, seem like luxuries.’

Yevgenia Belorusets on conscription in Ukraine.

Death to Books

Luke Allan

‘In her concern for making a tidy death, my mum overlooked that other kind of mess which is grief, and guilt, and confusion.’

Memoir by Luke Allan.

Power Metals

Nicolas Niarchos

‘The city, which is home to more than 300,000 people, is collapsing into the millions of shallow, square holes that have been cut into the ground.’

Nicolas Niarchos on mineral extraction in Manono, the Democratic Republic of the Congo.

Sinking Town

Amitava Kumar

‘The town’s fate was tied to poor development and ecological disaster.’

Amitava Kumar visits a Himalayan town.

You Are the Product

Paul Dalla Rosa

‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’

Paul Dalla Rosa on excess and the internet.

You Are the Product

Rosanna McLaughlin

‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’

Rosanna McLaughlin on what the internet thinks she wants.

You Are the Product

Lillian Fishman

‘What is the read receipt for?’

Lillian Fishman on texting, power and the ethics of leaving a friend on read.

You Are the Product

Daisy Hildyard

‘The anglophone world, we have to infer, has run out of words for its own feelings.’

Daisy Hildyard on the wisdom of scarecrows.

It Is Decidedly So

Sara Baume

‘There is always a cat sitting on the kitchen windowsill, in the background of every ordinary and extraordinary event, a softly focused silhouette, a pair of piercing eyes.’

Sara Baume responds to twenty-nine photographs from Magnum Photos.