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An Instrument of Pure Motion
Tommi Parrish
‘They say they are too busy but actually they are too busy for you.’
Why We Walk
Ian Willms & Adam Foulds
‘There are glimmers of the reality beyond, the promise of redemption even in the darkest places.’
Adam Foulds introduces the photography of Ian Willms.
Japanese Wives
Noriko Hayashi
‘Every time I remember that moment, I can’t help but cry. I was only twenty-one years old.’
A photoessay by Noriko Hayashi.
Refuge
Bruno Fert & Nam Le
‘This series showcases a more intimate kind of human absence.’ Nam Le introduces the photographs of Bruno Fert.
Binidittu
Nicola Lo Calzo & Daisy Lafarge
‘It’s perhaps a truism that acts of devotion both make and unmake the devotional object.’ Daisy Lafarge introduces the photographs of Nicola Lo Calzo.
Drawings of Monsters
Jesse Ball
‘When I was 4 or 5 I sent the Queen of England drawings of monsters.’
H+
Matthieu Gafsou & Daisy Hildyard
‘It’s a shadow-world: strangely familiar, all the same.’ Daisy Hildyard introduces Mattieu Gafsou’s photoessay on transhumanism.
Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness
Zanele Muholi & Anne McNeill
‘Zanele Muholi is a photographer, often described as one of the most powerful visual activists of our time, and a long-time advocate for their black LGBTQ+ community.’
American Orchard
Diana Matar & Max Houghton
‘This unsettling imagery points to a dereliction of civic duty.’ Max Houghton introduces photographs by Diana Matar.
Nostalgia in Blue
Viviana Peretti & Caroline Brothers
‘To step inside Viviana Peretti’s camera obscura is to witness the very process by which memory is made.’
